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Deborah Burton
Deborah Burton (born 1954) is an American music theorist, pianist, and academic. She is particularly known for her publications on Giacomo Puccini and his works, including the 2004 book ''Tosca's Prism: Three Moments of Western Cultural History''. She has contributed articles to numerous music journals, including ''Nuova Rivista Musicale'', ''Opera Quarterly'', ''Studi Musicali'', and ''Theoria''.
==Life an career==
Burton earned a Diploma in Piano Performance from the Mannes College of Music, a Master of Music from the Yale School of Music, and a PhD from the University of Michigan in 1995 with a doctoral dissertation entitled ''An Analysis of Puccini's Tosca: A Heuristic Approach to the Unifying Elements of the Opera''.〔Fairtile (1999) p. 149〕 She is Associate Professor of Music, Composition and Theory at Boston University and is a former faculty member at Adrian College, Florida International University, Fordham University, Harvard University, the University of Massachusetts Amherst, the University of Michigan, and Yale University.〔Boston University. (Deborah Burton )〕
Burton was one of the originators of the conference "Tosca 2000" in Rome, marking the centenary of Puccini's ''Tosca'' and the 2010 Boston conference "Fanciulla 100: Celebrating Puccini", marking the centenary of Puccini's ''La fanciulla del West''.〔Weaver (July 16, 2000) p. 21, Section 2; Sachs (December 10, 2010); Kellow (December 2010)〕
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